Information on East Cork Local Election Candidates

In alphabetical order. And OK, it’s not purely information, there is some opinion here. You can probably guess from the links the ones I really don’t like 🙂

Buckley, Pat (SF) 404 page not found, had some drinking related troubles.
Bullman, Paddy (Ind) No web presence, leaflet here.
Collins, Noel (Ind) Midleton Town council (now being abolished) hoping to get on county council. No web presence.
Halloran, Wayne (Ind) Anti pylon, no web presence.
Harty, Natasha (GP) Good info on her page.
Hegarty, Michael (FG) Drink Driving case
Hennessy, Michelle (SF)
Linehan Foley, Mary (Ind) Kicked out of FF.
McCarthy, Susan (FG) Says she’s a teacher (among other things) on her Facebook, but no mention of that on her leaflet. Not much actual info on FB page.
Murray, Aisling (Ind) No web presence. Leaflet here.
Murray, Barbara (FG) FG branch chairperson, Mayor of county. No web presence apart from mention on David Stanton’s website.
Nolan, Eric (Lab)
O’Neill, Niall (FF) No web presence- empty page on FF website! Couldn’t be bothered linking to a leaflet., DIY.
O’Sullivan, Aaron (FF) Same empty page as above. Leaflet here. Don’t consider voting for him unless you’ve met him…

New Kontakt sample pack: Revolution Synths

This new pack consists of the classic sounds from the classic digital synthesizer used by Jean Michel Jarre on his 1988 album Revolutions. Over 1.4GB* of 24 bit sounds, perfectly mapped and looped in Kontakt for you to play, just like the original keyboard.

Creating this demo was interesting. Listening closely to the original, I realised that it is most likely sequenced. The left hand/ bass part is a very very consistent 1/8th note loop with an accent on the 1. The notes are exactly an 1/8th in length as well, which works fine if you stick to the DCA envelope times on the original synth. There seems to be a slightly longer note length on every second beat 4. The right hand velocity doesn’t vary at all, there are no accents except for the fourth “chord” which is only two notes- the top note is programmed louder so it fits in with the other 3 note chords. There is a little bit of phaser mixed in, and the reverb sounds like the short, bright ambience programme typical of the AMS RMX16.

So the above demo is exactly what you’d get from the synth itself, without any “mixing”.

List of patches:

Analog Chop
Atari
Grittar 2 Lower, Grittar 2 Upper (Layered as Main Lead)
Gurgel Strings
Jete Strings
Kokubo Strings
Machine Run
Marshy Zone
Motor Orchestra
Ocean Scenario
Octave Synth Bass
Orchester Philamon
Solvolysis
Synth Bass 42
Yamatano Orochi

Click here to purchase.
*
Kontakt compressed format makes a 960MB download

Rain Tree Crow

Sylvian-1 Rain-2
This was the name used by the band Japan back in 1990 when Virgin Records gave them a million to reform. For various reason it didn’t work out, but they produced some amazing music. I recently scanned two articles from the May 1991 editon of Music Technology magazine. There’s an interview with Sylvian, and a separate interview with the rest of the band (Karn, Jansen and Barbieri).

This is the first time these have been published on the web as far as I know. You can read for yourself why things didn’t work out! A must for all Japan fans.

 

 

Enough Bono bashing please

There’s a book out criticising Bono, written by one Harry Browne. I haven’t read it. Apparently sales are abysmal. But I’ve read the articles by those caviar socialists Monbiot and Eagleton. Then there is the (as always) brilliant interview work by Gay Byrne (it’s an hour but it’s worth it).

bono_narrowweb__300x3090

Bono is like the court jester, because he can get away with criticising the “king”. Remember his messing around with Pope John Paul? There’s all the laughing and joking with Bush, but he got stuff done that otherwise would not have happened. Yes Bono’s not the brightest, but he, basically, gives away a lot of money. He supports around 30 charities by himself, the band support a bunch more. And U2 have given away a large chunk of money for music education in Ireland.

Monbiot is babbling about how Bono is stealing the limelight from “real” Africans with “real” problems- but he didn’t provide any evidence of that, despite writing a lovely “academicky” article, with references and all, attacking Bono. I’ve searched around and found only scam “African” charities, I wonder If Monbiot is ignoring those? I’m open to correction on that one though.

The Eagleton article, and Browne’s book too, is a hack job in my opinion. Let’s go through it:

1. Eagleton makes the assumption that being a christian implies a lack of style. As Bono describes in the recent Gay Byrne interview, their street gang dressed as OTT punks before they joined the prayer group, though it did become an issue afterwards.

2. Eagleton’s comment about “the postmodern decline of politics into spectacle” is just stupid. C’mon, look at any newspaper from the 19th century, early political campaigns, or early Punch.

3. Another assumption- “why Bono is both maverick and conservative.” Bono explains that one in the interview, when he talks about including the left and the right in his activism. Basically he uses his fame to get people in power to commit to things they might not do otherwise. He gets them to do good instead of confronting them and getting nothing.

4. Eagleton cherry picks from Viz, a magazine of vastly greater wit than his own- their hilarious description of Bono “”the little twat with the big heart”.

5. “If Bono really knew the history of his own people, he would be aware that the Great Irish Famine of the 1840s was not the result of a food shortage”. Bono has often said that it is corruption that is the problem (again, see Gay Byrne interview) and that is the case with the famine. I don’t know if that’s in the book or if Eagleton made that one up as well.

Everyone is failing to understand the function of tax. Again, Bono answers that question in the Gay Byrne interview, where he points out that Ireland has a tax system designed to attract foreign investment. He also points out that U2 is a business (the implication being that they employ people and need to stay in business). Furthermore if the writers did their research they would be aware that it is only the publishing arm that is based in Holland. All of U2’s other business is based in Ireland. However copyright and tax is a complicated business and is possibly beyond his comprehension. Not surprisingly it’s beyond Joan Burton as well. The fact is that prior to the capping of the Artist’s Tax Exemption scheme, U2 were not taxed on earnings from publishing. I would imagine that in order to maintain the business and to keep Irish people employed, they decided to be tax efficient.

Bono might be annoying. But he is a genuine christian.

Casio VZ samples for Kontakt

Like my other libraries, I created this initially for my own use. I decided the VZ was taking up valuable rackspace in my new streamlined studio, and I could better integrate my sounds in software via Kontakt. I just got tired of waiting around recording several layers of hardware synths.

So for that reason, this is a very good representation of the VZ- which is why I’ve named it “Authentic”.

Click here for demo

The Casio VZ was intended to replace the very successful CZ range. Despite having a better keyboard, more polyphony and better sound quality, it didn’t capture the imagination and was discontinued fairly quickly. The User Interface was rather unpleasant, despite having advanced features such as graphical envelope editing.

It’s a shame, because this is an FM synth with a much bigger sound than the better known Yamaha offerings. It was possible to layer up to 32 oscillators while still retaining useable polyphony. The keyboard had a pleasant action, and there were three very useable modulation wheels.

These samples comprise the best of my own sounds and a good mix of the few commercial libraries that were available. So without buying a VZ you’ll have wrung the best sounds out of this difficult beast. Again I’ve left out the usual “string” and “analogue” sounds, and kept it to the more unique sounds this synth can do. I’ve also stayed at 16 bit/ 44.1kHz because that exceeds the specifications of the VZ and allows for faster loading times.

Details: 30 multisampled patches, Download size= 398MB (Kontakt’s built in data compression used).

So I hope you enjoy the sound of this unusual synthesizer!

Upright Pianos for Kontakt

These sounds have been created to retain the character and atmosphere of domestic upright pianos. They were originally created for the Emu ESI4000 back in 1998. The recordings were made with an MS pair comprising Coles 4038 for the sides and an Audio Technica MB3000L for the middle. The pre amp was an LA Audio MLX20, and the AD was an Echo Layla, the original 20 bit version. Some processing was done in Cubase VST/32 using Waves plugins.

With the limitations of the old Emu sampler removed, you can now enjoy these sounds in 24 bit/ 48kHz, much better than the old Emu. In addition I have reprogrammed the filter settings to achieve a nice timbal dynamic.

Hanson 717 audio demo
Ladbrooke

Details:
Hanson pianoforte- dual layer multisampled upright (pictured) MS miked.
Ladbrooke 717- an out of tune up right recorded with a Sony ECM717 mic.
Hanson 717a, 717b- two different mono and stereo mic pre amps.
Charlie’s piano- a very battered upright recorded in 8 bit.

Download size: 78MB (Kontakt’s built in data compression used).

There are no Steinways here, so you’ll have atmospheric creaky old uprights. The Hansons (pictured) was set up and tuned before sampling, and is multisampled in velocity layers. The Ladbrooke was never tuned-  but it has been used on the Nintendo game “Rubadubdub”! It’s also a favourite of William Coakley’s, creator of the Perfect Piano series of samples.

A new addition is Charlie’s piano. This is a piano that is seriously out of tune, and you will also hear the sounds of domestic activity on some of the notes. Recorded in 8 bit/ 22kHz with a Canon Powershot camera. This is the most atmospheric of all the pianos.

Lovely!

I was going back through some emails and came across this lovely one. I sent an email to info@abbeyroad.com and got a lovely reply. 🙂

On 12 Sep 2009, at 6:36pm, Tomás Mulcahy wrote:

Hi,
Can you please pass this message on to the Beatles remastering team, especially Guy, Steve and Allan? Fantastic job, it’s like rediscovering the Beatles music all over again. Wonderful sound, well done. Beautiful packaging design and presentation of photos.

Thank you all!

Best wishes,
Tomás.

On 18 Sep 2009, at 1:11 pm, Newson, Jackie wrote:

Dear Tomás
On behalf of the team at Abbey Road I would like to thank you for the courtesy you have shown in emailing us with your kind words. When we embarked on this project we realised that it would be impossible to please everybody, particularly in view of the fact that this was The Beatles. However once we had decided on the approach that the team wished to take to satisfy ourselves, we then had to get the approval of Apple and EMI. Once that had been achieved the job was done, we were happy, Apple and EMI were happy and we are gratified that you too are happy.

Thank you.

Allan Rouse
Project coordinator